First, I’m going with the Jewish artifacts.

These are from Jewish Russian Refuseniks, either given to American visitors, or brought out when they finally got out themselves.


This is the Book of Esther, on a scroll, because The Torah and the five megilot (scroll books, Esther, Ruth, Eicha, Song of Songs and Ecclesiastes.) are all read at different times of the year and also must be in scroll form. Interesting, this was brought out in 1970 by a Jewish family but they donated it to a museum rather than a synagogue. Who knows why?

I was slightly disappointed in this exhibit. Not the artwork or the artists, but it was South Vietnamese who escaped, or one or two artists from Ho Chi Minh city, which used to be Saigon – so all South Vietnam. A friend now has a daughter in law from the north. Her son spent 6 years there and married a local girl. Thankfully he couldn’t handle even benign communism – so they are now in the US. Her problem is that being from the north – she is a little reluctant to meet the vast expat community here – who all escaped from the south. Btw, her parents were probably born either at the tail end of the war or afterwards.


Tuan Andrew Nguyen This is in honor of the mile markers on the Baatan Death March in the Philippines during WWII. The originals, KM makers where made of concrete long after the war ended. Here is his replica of KM marker 0 of the Death march. Although Philippines isn’t Vietnam, as you can see from the previous image, the Philippines were among the first to open camps for refugees from Vietnam.

Same artist, carving into Louisville Sluggers the image of the first Buddhist monk to immolate himself in 1961 in protest of the Vietnamese government. This was about religion, but the unrest caused the government to fall, which certainly didn’t help when the communists decided to wage war and take over the south.

Although this looks like a quilt, it isn’t, it is woven from a very large photograph and very brightly colored photo paper.


A refugee arrives in America with her children and nothing else. She makes her living sewing, mending, using her hands and simple sewing tools many of us recognize in order to provide for her family.


And now we get to quilts!! An artist who knows how to use a needle and thread. Adapting old photographs, using old clothing and creating what we call, raw edge appliqué. I’m sure she saw this going on in the quilting world. This is not a Vietnamese technique, but she does it extremely well.


This artist lives in Vietnam, so it is fun to see modern people.

She really is a great at this technique!

Love sharing some details.
It was wonderful finding another museum. this is one I will probably return to again. Since it is very well done. Also, she didn’t do raw edge, she turned them under, which is more impressive to me. Also she hand appliquéd and embroidered.
Leah